Author Topic: 'The Day After Tomorrow' & 'King Kong'  (Read 1837 times)

Offline Tony Williams

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'The Day After Tomorrow' & 'King Kong'
« on: October 12, 2008, 03:13:25 pm »
I'm slowly catching up with recent SFF films, and saw a couple of them last week. One is The Day After Tomorrow, about the sudden onset of a new ice age. An average-quality disaster movie requiring a high-than-average suspension of disbelief. This is due to the plot making no sense climatologically, especially because of the improbability (to put it mildly) of the suddenness and severity of the cooling effect (ambient temperature falling to minus 150 degrees in a few seconds?). Climate change is obviously a difficult subject for Hollywood. Unlike major earthquakes, tsunamis, hurricanes and volcanic eruptions, which are catastrophic short-term events, climate change takes ? at least ? years, and usually decades, to produce dramatic results. Rather too long a timeframe for an exciting film, so they decided to exaggerate everything by a few orders of magnitude. And, as is commonplace with Hollywood products, there is a strong focus on the family in the centre of the storm (although not to the same ridiculous extent as the remake of The War of the Worlds which I've written about previously). As is usual with modern disaster movies, the real star of the show is the CGI of the disaster itself, with a massive storm surge crashing into New York.

The other film I've seen is King Kong ? the recent version. A good film, with well-played characters and a most impressive, and expressive, Kong. This one is about relationships too, but then it's meant to be. Naomi Watts provides a credibly appealing focus for the beast's affections, and their story is handled well. The only complaint I have is that the film is too long, partly because the director seems to have overindulged himself in playing for ages with an array of CGI monsters on Kong's island chasing and devouring sundry members of the cast. I kept wanting to cut these peripheral scenes short as I watched them.

(An extract from my SFF blog)
Anthony G Williams homepage and SFF blog