Two issues are getting entangled here, and it?s not helpful.
No one should need reminding of Ramsey?s qualities as a writer and as a man.
In my experience, almost universally people regard him with respect and affection.
He?s served the BFS well down the years and is a fine ambassador for the cause. I?d be sorry to see him resign as President because of criticisms that so far seem to be a minority opinion. If there really is a groundswell of dissatisfaction with his presidency, the critics should put up their own candidate for the position and let the membership decide. As a general point on the role of President, there might be an argument for holding elections, say every four years, to let members express validation or censure. As things stand, I?d vote for Ramsey.
I?m much more interested in, and sympathetic with, Davey Stone?s comments; and it would be a shame if what he?s saying was interpreted as just knocking the present administration. We all know that the folk who run the BFS and Fantasycon are hard working, dedicated and often unappreciated. They put in the hours unpaid and usually get more brickbats than bouquets for their trouble. I, for one, am grateful for that. But it seems to me that what Davey?s talking about is how the wider world perceives the BFS and Fantasycon. And I can back him on this. Whether you like it or not, and no matter how hard the committee?s trying to change things, there?s a broadly held view that the Society and Fantasycon are almost exclusively concerned with horror. It may well be unjust, but it?s a fact. I hear it all the time from readers, commentators on the field, publishers, agents and other authors. They could be basing their opinion on how things maybe were historically, but that doesn?t change how they feel.
I was talking to a successful German author a few months ago who?d just guested at his country?s annual fantasy convention. He told me, with embarrassment, that there were ?only? 6000 attendees. ?I?m sure you get many more at your British equivalent,? he said, and was amazed to hear we attracted less than 300. He?d never heard of the BFS or Fantasycon. I was a GoH myself at Elf Fantasy Fair in Holland in May. Attendance: 33,000. The organisers had heard about Fantasycon. ?But it?s all about horror,? they stated as a matter of fact. I suggested it might be mutually beneficial to exchange ads with the BFS/Fantasycon. Elf Fantasy Fair had attendees from all across Europe, including Germany, France and Russia, so it?s not unreasonable to think some of them would be interested in visiting England for our annual event. The organisers duly wrote, proposing reciprocal advertising. They tell me they?re still waiting for a reply. I could tell similar stories about conventions I know of in other European countries, some of which I?ve attended.. They get excellent turn-outs, and would be good places to reach potential Fantasycon attendees. But they either have no knowledge of the BFS/Fantasycon, until I tell them, or regard them as being ?all about horror?. Somebody in this thread mentioned that there was no BFS presence at Worldcon in Glasgow last August, the biggest fan/professional gathering in the UK for years. Are opportunities to increase membership being taken?
This might sound paradoxical, but I happen to be someone who draws few distinctions between categories of speculative fiction. I see them all as expressions of the creative imagination, and am as happy reading science fiction and horror as fantasy or graphic novels. I?m not knocking horror, is what I?m trying to say; and it should definitely have its place in both the Society and Fantasycon. What needs changing is the notion, held by many, that horror is all this organisation truly cares about. I?m not sure that?s going to be achieved by tinkering with the BFS?s name or its logo.
Several people here have mentioned that the recipients of British Fantasy Awards give the lie to there being a bias towards horror. Here?s a list of last year?s winners:
Best Novel (The August Derleth Award):
Dark Tower VII: The Dark Tower by Stephen King
Best Novella:
Breathe by Christopher Fowler
Best Short Fiction:
'Black Static' by Paul Meloy
Best Collection:
Out of His Mind by Stephen Gallagher
Best Anthology:
The Alsiso Project ed. by Andrew Hook
Best Artist:
Les Edwards
Best Small Press:
Elastic Press, prop. Andrew Hook
Special Award (Karl Edward Wagner Award):
Nigel Kneale
What do they all have in common? Don?t get me wrong - there isn?t anybody in the above I don?t value and respect; but what impression to you think such a line-up gives, other than the awards are solely concerned with horror? You?ll argue that the committee?s hands are tied, and that they can only operate on the basis of what members nominate and vote for; but isn?t it possible that there?s an element of
self-perpetuation here? A majority of people who vote favour horror, it seems, so horror wins the awards. With the result that the impression that horror is all it?s about is further reinforced. A few years ago an eminent editor remarked to me that, ?The BFA?s are just about a small clique of horror fans giving each other awards.? No amount of arguing on my part could change that editor?s opinion. Maybe because my heart wasn?t in it.
One way of giving the awards more gravitas would be to publish how many votes are cast in each category. Is it true that some entries receive votes in single figures? When two nominations tie, who decides which one wins, and how? Why are the members given only one opportunity to vote, on the long list? Why isn?t the shortlist open for voting on? More transparency would help.
I think Davey?s idea for a David Gemmell Memorial Award is excellent, and if adopted would help redress that perceived imbalance. But ? and I have to say this - when Dave died a couple of weeks ago, what was the reaction from the British Fantasy Society? An item on its website? A mention in the email newsletter that went out a week after the event? No. A special email was eventually sent out, briefly stating the fact that he?d died and linking to obituaries, but only after prompting by several authors who felt it was merited. And how many messages are there in this forum about Gemmell?s passing? One, from a member. With no replies. Gemmell was one of the world?s bestselling fantasy authors, and an enormous influence on writers in the genre and millions of readers. If he didn?t warrant the attention of the BFS, who does? Whereas, if a prominent horror author had died ?
I?ve taken more than enough space in this forum, and some of you might think that what I?ve said is contentious. But I wouldn?t have bothered if I didn?t care.
SN