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Ju-on: White Ghost / Ju-on: Black Ghost

juonwhiteghostThe two latest instalments in the Grudge saga, which already includes a dizzying array of films, TV movies and remakes, arrive now on a single DVD. White Ghost gets off to a cracking start with a pizza delivery guy getting the fright of his life (as did we – the children wondered what we had been shouting about!), but falls off quite sharply. Black Ghost is made up of longer segments, and has a more coherent narrative, but isn't quite up to the same standard. The ghosts of the first film are exceedingly creepy, though dulled a bit by repetition, while the apparently latex-clad black ghost is much less effective.

In both, the jumps back and forth in time usual to a Grudge film mean the mystery is not always whodunnit, but what's the connection, where did it all begin? The only rule is that the victim must have had contact with another person affected by the curse. As a result the films can be rather disjointed and distractingly baffling, but it frees them from the need for a semi-indestructible protagonist – anyone can die, at any time, and that's key to the popularity of the series.

These films don't have to play fair. In a new Halloween, you know roughly what kind of scare is coming, and from where on the screen it's likely to come. Here anything can happen anywhere, with sudden, shocking unfairness. If the scares sometimes feel cheap, the terror they inspire is often priceless. That said, the scares are not the only thing here that's cheap: the effects and acting are not always at the level you'd expect from a film. They seem to be shot on video, and I'd guess that these hour-long films were made for TV or released direct to DVD. But if you liked the previous Grudge films, there's much to enjoy here too.

Ju-on: White Ghost / Ju-on: Black Ghost, Ryûta Miyake, Mari Asato (dirs), Japan, DVD, 2x1hr

 

Doctor Lerne, Subgod, by Maurice Renard

renardlerne01-aThis volume, the first of five collecting the complete scientific marvel fiction of Maurice Renard, "the French H.G. Wells", includes a story, "Monsieur Dupont's Vacation", a novel which shares the book's title, and an essay, "Scientific Marvel Fiction and its Effect on the Consciousness of Progress".

Monsieur Dupont, a maker of sewing machines and bicycles, receives an invitation from his friend Professor Gambertin to holiday in Les Ormes for a season. Gambertin is an amateur palaeontologist, and caught up in his enthusiasm Dupont spends his holiday digging for dinosaur bones. But what's been nibbling at the bushes? Could one of the dinosaurs have somehow survived?

Doctor Lerne is a Moreauvian figure working to graft parts both physical and spiritual from one species to another, from animals to plants, from humans to animals. When a nephew comes to visit it interferes with plans both scientific and romantic, and the outcome can only be tragic. Well, tragic – and rather funny, and quite raunchy. I note without disclosing spoilers that this novel's narrative approach had interesting parallels in the next book I read, Twisthorn Bellow, by Francophile Rhys Hughes.

Renard writes extremely well, and there's a sly wit in evidence throughout. There's Flaubertian mockery of the scientific mindset, and Moliere's delight in flim-flam and doubletalk. Though an intellectual writer, he is entertainingly cruel to his characters. As with Brian Stableford's other translations for Black Coat Press there's an exceptionally useful amount of apparatus, making this a very attractive package. For more information on the series see the interview with Stableford in Dark Horizons #56.

Doctor Lerne, Subgod, by Maurice Renard, tr. Brian Stableford, Black Coat Press, pb, 328pp

 

Flirt, by Laurell K. Hamilton

Cover of Flirt, by Laurell HamiltonAnita Blake is a lady with a lot of barnacles. She's accumulated many powers in her previous seventeen books, and to a new reader their page-by-page introduction in this one seemed almost ludicrous. Vampire hunter, necromancer, werewolf (sort of) (and were-lots of other things), vampire, another vampire's human servant (and girlfriend), and succubus, she keeps a pet were-leopard and werewolf, and she's a US Marshal.

But imagine reading your first Superman comic: okay, this guy can fly. Oh, and he's super-strong, invulnerable, and shoots lasers out of his eyes. Plus, he has super-hearing, and he's a super-ventriloquist, and even a super-kisser! We're so used to Superman that we hardly question it. What matters is how all the powers coalesce into a character. What's interesting about Anita's powers is that none are free: with each comes new dangers, new feelings, and new responsibilities. She's in constant danger of being overwhelmed by them.

With great power also comes great difficulty in plotting: how to challenge the hero who has everything? In Flirt we see Superman's worst nightmare: friends targeted by supervillains. Mr Bennington wants his wife back from the dead, and doesn't care who dies to make it happen. With snipers stalking her lovers Anita lets herself be kidnapped by a pair of mercenary were-lions. A were-lion witch cuts her psychic connection with her chums, and things are looking grim. But the bad guys have reckoned without Anita's greatest power of all: her ravenous sexual energy!

A few chapters in and this was well on the way to being one of the worst books I'd read in years. The second chapter is dreadful, the banter excruciating as Anita and her gaggle of boyfriends flirt with a waiter and each other in a restaurant. The tone felt familiar - jaunty, forced, creepy - and it took a while to place it: late period Heinlein. Discovering in the afterword that the scene was based on real events made it even worse. What these characters call "playing", other people might well call sexual harassment.

But once Anita's love cult is sidelined the book got much, much better. It develops into an interesting sexual thriller, Anita's respectful kidnappers fighting their own desire to mate with her, and pack dynamics play out in human form as she plays them off against each other. Overall, this is a crisp, pointed novel that doesn't outstay its welcome, and if I could forget that indulgent second chapter I'd be happy to read another in the series, preferably one in which Anita is once again separated from her gormless gang of group-huggers.

Flirt, by Laurell K. Hamilton, Headline, pb, 180pp.

Also published this week: the 19th Anita Blake novel, Bullet, in which Anita must face the Mother of All Darkness, who is after her body... Though not for the reason everyone else is.

 

Chaz Brenchley new book deal

Kate Lyall Grant, commissioning editor at Severn House, has acquired two horror novels from Chaz Brenchley via agent John Jarrold. The novels are centred around a strange country house in the north of England that affects everyone who comes into contact with it – some for good, some for ill – in different time periods. The first book, provisionally titled House of Doors, will be set during the Second World War, and is due for publication in September 2011.

Kate Lyall Grant said: "I am thrilled to be reunited with Chaz Brenchley whom I first came across at Hodder and who, I think, is one of the most talented – and underrated – British horror/fantasy novelists writing today.  I'm delighted too to be able to celebrate my first deal with my former S&S colleague, John Jarrold."

 

Steve Feasey at the BSFG

Steve Feasey is a well-regarded author of fantastic fiction who has focussed on the teen market. So far he has published Changeling (2009), Dark Moon (2009), and Blood Wolf (2010) in the Changeling series, with the fourth book, Demon Games due in September 2010. Changeling was short-listed for the Waterstones Children’s Books Prize.

Born in Hertfordshire, Steve describes himself as having come to writing as a `late starter’, having begun his career in his thirties. He credits his own teenage experiences as the drive behind his writing. Steve will be visiting the Birmingham Science Fiction Group to talk about his works on Friday 9 July 2010 at 8pm (entry from 7.30pm) at The Briar Rose on Bennett’s Hill in Birmingham. Please email This e-mail address is being protected from spambots. You need JavaScript enabled to view it for more details

 

Ramsey Campbell in conversation with Stephen Jones

The organisers of Alt Fiction are now posting podcasts of some of the events recorded during the weekend. First up is a podcast of Ramsey Campbell and Stephen Jones discussing horror fiction. Go here to watch.

 

David Gemmell Award winners announced

The David Gemmell Legend Award winners were recently announced at a London ceremony. They are:

RAVENHEART AWARD: Best Served Cold cover art: Didier Graffet, Dave Senior & Laura Brett

MORNINGSTAR AWARD: The Cardinal's Blades by Pierre Pevel

LEGEND AWARD: Empire by Graham McNeill

For further information visit the DGLA website

 


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